We are Fassine, Sarah and Laurie. We’re artistic soulmates and music is our baby. 

We’ve just released our fourth album Never to Heaven which sweeps away all the themes from our previous album about ‘the hero’. This is about ‘the ego’. We explore the life of Bobby Fischer on Fifty-Move Fools and the Wiley old fox Nixon on Priest to Pardon. Drerty is our anthem for self-appointed heroism, a look at the modern obsession of self. It’s meant as an open conversation, with our tongues firmly in cheek.

It was a dream for us when people resonated with our cinematic take on electronic music in Dialectik, our debut album, with the support from music fans (thanks for your ears!) and praise from outlets like Spin, Q, Clash, The Independent, Aesthetica, Prog, Mojo, and The Guardian.

We’ve been lucky to have songs featured as the backdrop of dramas including Lucifer, The following, Good Girl’s, Velvet Buzzsaw,, and the stars aligned for us when we released our re-working of XTC’s That Wave, which featured on their Documentary This Is Pop. 

Thanks for listening.

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”precision earworm avant-pop’’

— MOJO

“Sunshine is an eerie and ominous introduction to the intriguing Fassine... Sarah Palmer’s vocals are translucent against the dramatic atmosphere of cryptic synths and severe bass...”

— SPIN

“Fassine have a restrained yet wonderfully defined palette. Oppressive yet artful music of an electronic bent, the three-piece sit in a wonderfully British lineage of pop futurists.”

— Clash Magazine

“Forge' is an intriguingly cinematic, psychedelic art-rockin’ work that should prick the ear of curious listeners.”

— Prog Magazine

“Sonically there’s a real sense of chiaroscuro on Forge, swelling, airy moments of light that battle and merge with grainy undercurrents of shadows and doom”

— Aesthetica

“Palio' is a gorgeous, minimalist track - think Portishead's downbeat disquiet on Dummy with a touch of UNKLE's cinematic grandeur.”

— Independent